{"id":83429,"date":"2023-08-01T22:05:46","date_gmt":"2023-08-02T08:05:46","guid":{"rendered":"https:\/\/thomas-osborne.com\/music\/?p=83429"},"modified":"2024-01-16T22:07:22","modified_gmt":"2024-01-17T08:07:22","slug":"jung-gilseon-releases-recording-of-clearing-the-path","status":"publish","type":"post","link":"https:\/\/thomas-osborne.com\/music\/jung-gilseon-releases-recording-of-clearing-the-path\/","title":{"rendered":"Jung Gilseon (\uc815\uae38\uc120) releases recording of Clearing the Path (\uae38\ub2e6\uc74c)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image media=&#8221;83430&#8243; media_lightbox=&#8221;yes&#8221; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;210005&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text uncode_shortcode_id=&#8221;223135&#8243;]In 2015 I was commissioned by gayageum virtuoso Jung Gilseon (\uc815\uae38\uc120) to compose a new work for gayageum, daegeum and janggu, one that would be based on part of a shaman ritual for the dead from the island of Jindo, just off the southwest coast of Korea. Her <a href=\"https:\/\/thomas-osborne.com\/music\/ritual-resonance\/\">recording<\/a> of my <a href=\"https:\/\/thomas-osborne.com\/music\/works\/clearing-the-path\/\">Clearing the Path (\uae38\ub2e6\uc74c)<\/a>, in which she is joined by daegeum player Kim Sang-yeon (\uae40\uc0c1\uc5f0) and janggu player Hwang Yeong-nam (\ud669\uc601\ub0a9), has recently been released, and includes new recordings of works by Yang Seung-hwan (\uc591\uc2b9\ud658) and Donald Reid Womack.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image media=&#8221;83430&#8243; media_lightbox=&#8221;yes&#8221; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;210005&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text uncode_shortcode_id=&#8221;223135&#8243;]In 2015 I was commissioned by gayageum virtuoso Jung Gilseon (\uc815\uae38\uc120) to compose [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":83430,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[4],"tags":[],"class_list":["post-83429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/posts\/83429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/comments?post=83429"}],"version-history":[{"count":2,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/posts\/83429\/revisions"}],"predecessor-version":[{"id":83442,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/posts\/83429\/revisions\/83442"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/media\/83430"}],"wp:attachment":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/media?parent=83429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/categories?post=83429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/tags?post=83429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}