{"id":82363,"date":"2021-01-08T13:52:12","date_gmt":"2021-01-08T23:52:12","guid":{"rendered":"https:\/\/thomas-osborne.com\/music\/?p=82363"},"modified":"2021-01-08T13:52:12","modified_gmt":"2021-01-08T23:52:12","slug":"gayageum-ensemble-palette-performs-a-machine-of-silk-and-wood","status":"publish","type":"post","link":"https:\/\/thomas-osborne.com\/music\/gayageum-ensemble-palette-performs-a-machine-of-silk-and-wood\/","title":{"rendered":"Gayageum ensemble PALETTE performs &#8220;A Machine of Silk and Wood&#8221;"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image dynamic=&#8221;yes&#8221; media_lightbox=&#8221;yes&#8221; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]While everything&#8217;s been on hold in the U.S., including live performances, other parts of the world seem to have things a bit more under control. In Korea, live concerts have been offered for the past six months or so, and it&#8217;s been refreshing to get word of performances of my music there. One recent performance is this one by the PALETTE gayageum ensemble, who performed my quartet, <a href=\"https:\/\/thomas-osborne.com\/music\/works\/a-machine-of-silk-and-wood\/\">A Machine of Silk and Wood<\/a>, at the Seoul Donhwamun Traditional Theater. They did great work with the piece, and the video turned out just as great. Have a look\/listen:[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_single_image media=&#8221;82364&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image dynamic=&#8221;yes&#8221; media_lightbox=&#8221;yes&#8221; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]While everything&#8217;s been on hold in the U.S., including live performances, other parts of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":82366,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[4],"tags":[],"class_list":["post-82363","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/posts\/82363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/comments?post=82363"}],"version-history":[{"count":3,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/posts\/82363\/revisions"}],"predecessor-version":[{"id":82368,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/posts\/82363\/revisions\/82368"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/media\/82366"}],"wp:attachment":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/media?parent=82363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/categories?post=82363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/tags?post=82363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}