{"id":972,"date":"2013-02-04T17:03:10","date_gmt":"2013-02-04T08:03:10","guid":{"rendered":"https:\/\/thomas-osborne.com\/music\/?post_type=portfolio&#038;p=972"},"modified":"2019-08-15T12:06:18","modified_gmt":"2019-08-15T22:06:18","slug":"heliography","status":"publish","type":"portfolio","link":"https:\/\/thomas-osborne.com\/music\/works\/heliography\/","title":{"rendered":"Heliography"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_single_image media=&#8221;80511&#8243; media_lightbox=&#8221;yes&#8221; media_width_percent=&#8221;100&#8243;][vc_column_text]&#8221;Heliography&#8221; is a word with multiple meanings. It refers to the process of communicating via &#8220;sun signals,&#8221; by using mirrors to reflect the sun towards another person. By turning the mirror, the sunlight is reflected in a sort of visual Morse code, and these long and short bursts of light can be translated by the receiver. The word also refers to the study of the sun itself. I incorporated both these meanings into this work.<\/p>\n<p>The piece opens with quick, short &#8220;dots&#8221; and &#8220;dashes&#8221; in the guzheng, which are then punctuated in the marimba. These long and short note values permeate the piece, and are filtered through a variety of tempos. The structure of the piece relates to the sun as well. After the quick opening, the tempo relaxes and the two performers play a series of melodic and rhythmic patterns which loop like the orbit of a planet. As the piece goes, the sections gradually get faster and the cycles loop more quickly until they dissolve in a wash of energy.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>guzheng and percussion<br \/>\n(2013) 8&#8242;<\/p>\n","protected":false},"author":1,"featured_media":973,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"portfolio_category":[109,114],"class_list":["post-972","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-chinese","portfolio_category-percussion"],"_links":{"self":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio\/972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/comments?post=972"}],"version-history":[{"count":4,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio\/972\/revisions"}],"predecessor-version":[{"id":80512,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio\/972\/revisions\/80512"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/media\/973"}],"wp:attachment":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/media?parent=972"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio_category?post=972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}