{"id":837,"date":"2012-10-22T01:28:54","date_gmt":"2012-10-21T16:28:54","guid":{"rendered":"https:\/\/thomas-osborne.com\/music\/?post_type=portfolio&#038;p=837"},"modified":"2022-02-15T14:00:31","modified_gmt":"2022-02-16T00:00:31","slug":"singing-through-the-endless-night","status":"publish","type":"portfolio","link":"https:\/\/thomas-osborne.com\/music\/works\/singing-through-the-endless-night\/","title":{"rendered":"Singing Through the Endless Night (\ub3d9\uc9d3\ub2ec \uae30\ub098\uae34 \ubc24\uc744)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_single_image media=&#8221;82145&#8243; media_lightbox=&#8221;yes&#8221; media_width_percent=&#8221;100&#8243;][vc_single_image media=&#8221;80518&#8243; media_width_percent=&#8221;100&#8243;][vc_single_image media=&#8221;80525&#8243; media_width_percent=&#8221;100&#8243;][vc_column_text css=&#8221;.vc_custom_1581811662436{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}&#8221;]\uc774\uc2ac\uae30 (Lee Seul Gi), gayageum; \uc870\uc740\uae30 (Cho Eun Gi), violin; \uc11c\uc9c4\ud76c (Seo Jin Hee), violin; \ud64d\uc218\uc815 (Hong Soo Jeong), viola; \uc7a5\uc720\uc9c4 (Jang Yoo Jin), cello[\/vc_column_text][vc_column_text]<em>Singing Through the Endless Night<\/em>\u00a0is written for Seul Gi Lee, who suggested the inspiration for the work. She introduced me to a poem by one of Korea&#8217;s most noted poets, Hwang Jin-i, which may represent some of her best-known verses.<\/p>\n<p>In response to the poem, which is filled with a sense of longing but also one of hope, I have composed a piece in two parts. The first half of the work has the gayageum singing and lamenting over a string chorale. Then, after an extended gayageum solo passage, the second half focuses on the anxiety and excitement of anticipation, with faster tempos and energized textures. The piece ends with a brief recollection of the string chorale, now presented in a much different light.<\/p>\n<p>This piece was written for and dedicated to Seul Gi Lee.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>gayageum and string quartet (with or without double bass)<br \/>\n(2012) 9&#8242;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"portfolio_category":[108,111],"class_list":["post-837","portfolio","type-portfolio","status-publish","hentry","portfolio_category-korean","portfolio_category-strings"],"_links":{"self":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio\/837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/comments?post=837"}],"version-history":[{"count":13,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio\/837\/revisions"}],"predecessor-version":[{"id":83073,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio\/837\/revisions\/83073"}],"wp:attachment":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/media?parent=837"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio_category?post=837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}