{"id":315,"date":"2012-07-05T21:16:11","date_gmt":"2012-07-05T21:16:11","guid":{"rendered":"https:\/\/thomas-osborne.com\/music\/?post_type=portfolio&#038;p=315"},"modified":"2019-08-15T12:44:48","modified_gmt":"2019-08-15T22:44:48","slug":"wont-do-wrong-no-more","status":"publish","type":"portfolio","link":"https:\/\/thomas-osborne.com\/music\/works\/wont-do-wrong-no-more\/","title":{"rendered":"Won&#8217;t Do Wrong No More"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_single_image media=&#8221;80597&#8243; media_lightbox=&#8221;yes&#8221; media_width_percent=&#8221;100&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_column_text]Excerpt 1[\/vc_column_text][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_single_image media=&#8221;80596&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_column_text]Excerpt 2[\/vc_column_text][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_single_image media=&#8221;80595&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=&#8221;100&#8243; align_horizontal=&#8221;align_center&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_column_text]Jiyoung Yi, gayageum; Chiwan Park, piri; Woongsik Kim, janggu[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_tabs][vc_tab title=&#8221;Program Note&#8221; tab_id=&#8221;1565205787-1-78&#8243;][vc_column_text]For many years I&#8217;ve wanted to write a piece incorporating the American Blues, but I hesitated because I hadn&#8217;t yet found an ensemble that could evoke the timbres and gestures that would best suit the genre. I was surprised, then, when I was introduced to\u00a0<em>gugak<\/em>, Korean traditional music, since much of that music seemed to share the same sound world as the Blues.\u00a0<em>Won&#8217;t Do Wrong No More<\/em>\u00a0makes its Blues roots clear from the outset, with the\u00a0<em>piri<\/em>\u00a0imitating the sound of a blues singer&#8217;s raspy voice. As the piece goes, it moves in and out of blues landscapes, occasionally returning to the opening theme.<\/p>\n<p>This piece is dedicated to Ji-young Yi, Chiwan Park and Woongsik Kim.[\/vc_column_text][\/vc_tab][vc_tab title=&#8221;\ud55c\uad6d\uc5b4&#8221; tab_id=&#8221;1565205787-2-20&#8243;][vc_column_text]\uc9c0\ub09c \uba87 \ub144\uac04 \uc544\uba54\ub9ac\uce78 \ube14\ub8e8\uc2a4\ub97c \ub2f4\uc740 \uc791\ud488\uc744 \uc4f0\uace0 \uc2f6\uc5c8\uc73c\ub098, \ube14\ub8e8\uc2a4\ub9cc\uc758 \ud2b9\uc0c9, \uc989 \uc74c\uc0c9\uacfc \uc6c0\uc9c1\uc784\uc744 \uc798 \ud45c\ud604 \ud560 \uc218 \uc788\ub294 \uac00\uc7a5 \uc801\ud569\ud55c \uc559\uc0c1\ube14\uc744 \ucc3e\uae30\uac00 \uc27d\uc9c0 \uc54a\uc544 \uc8fc\uc800\ud558\uace0 \uc788\uc5c8\ub2e4. \uadf8\ub7ec\ub358 \uc911 \uad6d\uc545\uc744 \uc54c\uac8c \ub418\uc5c8\uace0, \ub180\ub78d\uac8c\ub3c4 \uad6d\uc545\uacfc \ube14\ub8e8\uc2a4\ub294 \uadf8 \uc18c\ub9ac\uc758 \uc138\uacc4\uac00 \ub9ce\uc740 \ubd80\ubd84 \ub2ee\uc544 \uc788\uc5c8\ub2e4. \uace1\uc758 \uc2dc\uc791\ubd80\ubd84, \ud53c\ub9ac\uac00 \ube14\ub8e8\uc2a4 \uac00\uc218\uc758 \uac70\uce5c \ubaa9\uc18c\ub9ac\ub97c \ud749\ub0b4 \ub0bc \ub54c, \uc774 \uace1 (Won\u2019t do wrong no more) \uc774 \ube14\ub8e8\uc2a4\uc5d0 \uae30\ubc18\uc744 \ub450\uace0 \uc788\ub2e4\ub294 \uac83\uc744 \uba85\ud655\ud788 \uc54c\uac8c \ub420 \uac83\uc774\ub2e4. \uc774 \uace1\uc740 \ube14\ub8e8\uc2a4\uc758 \uacbd\uacc4\ub97c \ub118\ub098\ub4e4\uba74\uc11c \uc804\uac1c\ub418\uace0, \ub54c\ub54c\ub85c \ucc98\uc74c\uc758 \uc8fc\uc81c\ub85c \ub2e4\uc2dc \ub3cc\uc544\uac04\ub2e4.<\/p>\n<p>\uc774 \uace1\uc740 \uc774\uc9c0\uc601, \ubc15\uce58\uc644 \uadf8\ub9ac\uace0 \uae40\uc6c5\uc2dd\uc5d0\uac8c \ud5cc\uc815\ud55c\ub2e4.[\/vc_column_text][\/vc_tab][\/vc_tabs][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>piri, gayageum, janggu<br \/>\n(2011) 8&#8242;<\/p>\n","protected":false},"author":1,"featured_media":1746,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"portfolio_category":[108],"class_list":["post-315","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-korean"],"_links":{"self":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio\/315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/comments?post=315"}],"version-history":[{"count":3,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio\/315\/revisions"}],"predecessor-version":[{"id":80621,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio\/315\/revisions\/80621"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/media\/1746"}],"wp:attachment":[{"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/media?parent=315"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/thomas-osborne.com\/music\/wp-json\/wp\/v2\/portfolio_category?post=315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}